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DTSTART;TZID=America/New_York:20260212T100000
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UID:10000149-1770890400-1782147600@www.thebiggsmuseum.org
SUMMARY:The Art of Elizabeth Catlett: from the Collection of Samella Lewis
DESCRIPTION:3rd Floor \n The Art of Elizabeth Catlett: from the Collection of Samella Lewis  \nFebruary 12 – June 22\, 2026 \nElizabeth Catlett (1915-2012)\, a sculptor and printmaker\, is widely considered one of the most important African American artists of the 20th century. Her work blended art and social consciousness and confronted the most disturbing injustices against African Americans. She is best known for her work during the 1960s and 70s\, when she created politically charged\, black expressionistic sculptures and prints. Catlett\, a sculptor and graphic artist\, was born in Washington\, D.C. in 1919. She attended Howard University where she studied design\, printmaking and drawing. In 1940 Catlett became the first student to receive a Master’s degree in sculpture at the University of Iowa. In 1946 Catlett received a fellowship that allowed her to travel to Mexico City where she studied painting\, sculpture and lithography. There\, she worked with the People’s Graphic Arts Workshop\, a group of printmakers dedicated to using their art to promote social change. After settling in Mexico and later becoming a Mexican citizen\, she taught sculpture at the National Autonomous University of Mexico in Mexico City until retiring in 1975. \nThe works in this exhibition come from the collection of artist\, educator and author Samella Lewis\, Ph.D.\, Professor Emerita\, Art History\, Scripps College\, Claremont\, CA. Lewis was a student of Catlett’s in the 1940’s and Catlett became her mentor. The two became lifetime friends. Samella Lewis writes: “Elizabeth Catlett was my friend and my mentor in art. She is the reason that I began to see and think creatively. When I first met Elizabeth in 1941\, my attempts at making art were strictly based on visual concepts of the European models. Upon my graduation from high school\, it was my good fortune to receive a scholarship to study at Dillard University where Elizabeth was the art professor.” \n“Dillard did not offer a studio art major\, however\, with Elizabeth’s assistance I was able to obtain an art scholarship from Hampton Institute to study with Dr. Viktor Lowenfeld who at that time was regarded as the most important scholar in the field of art. While I was a student at Hampton\, Elizabeth and Lowenfeld opened many art doors for me. With the passing of Lowenfeld\, Elizabeth remained my friend. I shall always remember her as being my mentor who was responsible for my life in art.” \n“With her recent passing\, she still lives in my life and my heart as my teacher and my friend. I will always remember her and be thankful for her friendship” \n  \n\n		\n		\n			\n				\n			\n				\n				Elizabeth Catlett\, 1946\, “Pensive”\, bronze 16 1/2 x 10 1/2 x 8\n\n© 2026 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS)\, NY\n				\n			\n				\n			\n				\n				Elizabeth Catlett\, 1990\, “Dancing” lithograph\, edition 34/100\n© 2026 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS)\, NY\n				\n			\n				\n			\n				\n				Elizabeth Catlett\, 1983\, “Survivor”\, woodcut\, AP 11 x 10″\n© 2026 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS)\, NY\n				\n			\n				\n			\n				\n				Elizabeth Catlett\, 1965\, “Sharecropper”\, linocut\, AP 17 3/8 x 16 1/2″\n© 2026 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS)\, NY\n				\n			\n				\n			\n				\n				Elizabeth Catlett\, 1987\, “These Two Generations”\, lithograph\n© 2026 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS)\, NY
URL:https://www.thebiggsmuseum.org/event/the-art-of-elizabeth-catlett-from-the-collection-of-samella-lewis/
CATEGORIES:Current Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20251002
DTEND;VALUE=DATE:20260112
DTSTAMP:20251002T160109Z
CREATED:20250826T230629Z
LAST-MODIFIED:20251002T160109Z
UID:10000147-1759363200-1768175999@www.thebiggsmuseum.org
SUMMARY:Awash in Color: Recent Work from the Delaware Watercolor Society
DESCRIPTION:This juried exhibition showcases outstanding works created by members of the Delaware Watercolor Society within the past five years. Featuring a diverse range of subjects\, styles\, and techniques\, the exhibition highlights the versatility and expressive power of watercolor as an artistic medium. Visitors are invited to experience the creativity and talent of regional artists whose work reflects both contemporary perspectives and time-honored traditions in watercolor painting.
URL:https://www.thebiggsmuseum.org/event/awash-in-color-recent-work-from-the-delaware-watercolor-society/
CATEGORIES:Current Exhibitions,EXHIBITIONS
ATTACH;FMTTYPE=image/png:https://www.thebiggsmuseum.org/wp-content/uploads/2025/09/DE-Watercolor.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20260112
DTSTAMP:20250822T205244Z
CREATED:20250822T205244Z
LAST-MODIFIED:20250822T205244Z
UID:10000145-1758153600-1768175999@www.thebiggsmuseum.org
SUMMARY:Echoes of the Storm: a DSU Collaborative Exhibition
DESCRIPTION:This fall\, the Biggs Museum of American Art will spotlight Delaware State University (DSU) and its celebrated marching band as part of a museum-wide celebration of HBCU culture\, anchored by the exhibition Keith Duncan: Battle of the Bands\, The HBCU Marching Bands Series.  \nOn view from September 4\, 2025 through January 25\, 2026\, Battle of the Bands features 45 large-scale fabric paintings and works on paper by acclaimed New Orleans-based artist Keith Duncan. These vibrant compositions bring to life the pageantry\, tradition\, and community pride of fifteen Southern HBCU marching bands and their drum majors.  \nAlongside this major exhibition\, the Biggs will host Echoes of the Storm\, on view September 18\, 2025 through January 11\, 2026\, focusing exclusively on the history and impact of the DSU Marching Band\, Approaching Storm. This show will feature artwork created by DSU students\, archival artifacts\, and materials highlighting the university’s legacy as one of the nation’s top-ranked HBCUs. The exhibition opens with a community happy hour reception on September 18\, 2025.  \nThe Biggs & DSU collaboration is rooted in student engagement and leadership. This fall\, five DSU interns have joined The Biggs’ team\, working across departments to gain real-world museum experience. In addition\, seven DSU students are contributing directly to the development and installation of Echoes of the Storm\, curating content\, researching band history\, and preparing materials for display.  \nThe celebration continues with a special live performance by the DSU Marching Band at The Biggs’ major annual fundraiser\, a farm-to-table Harvest Party\, on September 20\, 2025.  \nTogether\, Battle of the Bands and Echoes of the Storm offer a powerful look at the past\, present\, and future of HBCU marching band culture through world-class art and meaningful community partnerships. 
URL:https://www.thebiggsmuseum.org/event/echoes-of-the-storm/
CATEGORIES:Current Exhibitions,EXHIBITIONS
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